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Corresponding author: Franco Andreone ( franco.andreone@gmail.com ) Academic editor: Pavel Stoev
© 2014 Franco Andreone, Luca Bartolozzi, Giovanni Boano, Ferdinando Boero, Marco Bologna, Mauro Bon, Nicola Bressi, Massimo Capula, Achille Casale, Maurizio Casiraghi, Giorgio Chiozzi, Massimo Delfino, Giuliano Doria, Antonio Durante, Marco Ferrari, Spartaco Gippoliti, Michele Lanzinger, Leonardo Latella, Nicola Maio, Carla Marangoni, Stefano Mazzotti, Alessandro Minelli, Giuseppe Muscio, Paola Nicolosi, Telmo Pievani, Edoardo Razzetti, Giorgio Sabella, Marco Valle, Vincenzo Vomero, Alberto Zilli.
This is an open access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
Citation:
Andreone F, Bartolozzi L, Boano G, Boero F, Bologna M, Bon M, Bressi N, Capula M, Casale A, Casiraghi M, Chiozzi G, Delfino M, Doria G, Durante A, Ferrari M, Gippoliti S, Lanzinger M, Latella L, Maio N, Marangoni C, Mazzotti S, Minelli A, Muscio G, Nicolosi P, Pievani T, Razzetti E, Sabella G, Valle M, Vomero V, Zilli A (2014) Italian natural history museums on the verge of collapse? ZooKeys 456: 139-146. https://doi.org/10.3897/zookeys.456.8862
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The Italian natural history museums are facing a critical situation, due to the progressive loss of scientific relevance, decreasing economic investments, and scarcity of personnel. This is extremely alarming, especially for ensuring the long-term preservation of the precious collections they host. Moreover, a commitment in fieldwork to increase scientific collections and concurrent taxonomic research are rarely considered priorities, while most of the activities are addressed to public events with political payoffs, such as exhibits, didactic meetings, expositions, and talks. This is possibly due to the absence of a national museum that would have better steered research activities and overall concepts for collection management. We here propose that Italian natural history museums collaborate to instate a “metamuseum”, by establishing a reciprocal interaction network aimed at sharing budgetary and technical resources, which would assure better coordination of common long-term goals and scientific activities.
Biodiversity, Italy, metamuseum, natural history museums
Italy is universally known for its history, culture, food and art. Almost everyone knows the towns of Venice, Florence, and Rome, the classical Roman history which inspires architecture, literature and movies, and Leonardo da Vinci’s Last Supper and the Mona Lisa, which are among the most seen and reproduced paintings in the history of art. The list could go on for pages, but here we want to focus our attention on another invaluable and too often forgotten asset: natural history museums (NHMs) and the scientific specimens they preserve to document national (and international) biodiversity. A few numbers highlight the point: there are 12,000–13,000 species or subspecies of flowering plants in Europe, and approximately two thirds live in Italy. Furthermore, a rough count shows at least 160,000 animal species in Europe; in the recent Italian checklist their total for the country alone exceeds 56,000 (
Similar to what has happened elsewhere, many Italian naturalists of 19th century, among which Orazio Antinori, Odoardo Beccari, Enrico Festa, Filippo De Filippi, Giacomo Doria, and Carlo Piaggia, visited remote areas of the world and documented biodiversity by collecting remarkable plant and animal specimens, which were deposited in Italian NHMs and became a great resource for studies and natural resources enhancement (
We, the curators, taxonomists, science philosophers, and other members of the scientific community, are alarmed by the situation in which most Italian NHMs currently find themselves, with a continuing loss of scientific relevance, decreasing economic investments, scarcity of qualified personnel, and increasingly high risk for the long-term preservation of their collections. We wish to call urgent attention to this serious problem to relevant policy and decision makers. Unlike other countries (e.g., England, France, Spain, and USA), a national museum acting as the main repository for the larger part of these historical and contemporary natural history collections was never established in Italy. Because of this absence, in part due to historical reasons (
While the existence of many scattered museums warranted until recently the material preservation of collections, it did not allow a proper development of the research component, which should accompany the constitution of scientific collections. In many cases university departments, which were the first to put together specimens and arrange natural history collections, do not consider museum-based research rewarding in terms of academic impact (also because papers dealing with traditional taxonomy rarely get a high citation index) and focus on functional disciplines, such as genetics, population biology, and ecology. This led to the wish to create new laboratories, often achieved by repurposing rooms housing old - and frequently rather dusty - zoological or botanical collections, which typically had been neglected for decades. In some cases the university museums were maintained, but they were more often used for practical classes with students or for public exhibits, and only in a few cases were they fully developed. At the same time, NHMs managed by local PAs were often more interested in public events with political payoffs for administrators, such as exhibitions, didactic meetings, and expositions than to collection-based researches.
Scientific production is almost never considered as a parameter to evaluate the activity of curators in Italian NHMs. In general, the museum decision-makers appear to be not particularly focused on research activities carried out by their internal (curatorial) personnel. This is a striking difference with NHMs in other countries, where research represents a prominent and institutional product, which is evaluated regularly. As an example, most museums in Germany are autonomous research institutions often designated as “Forschungsinstitut”, as is the case with the Berlin, Bonn, and Frankfurt museums, and invest considerable economic resources into scientific activities, especially into management and implementation of reference collections and field-surveys in biodiversity hotspots. Nowadays, a commitment in fieldwork to increase scientific collections is not considered a priority by several Italian museums, and curators are rarely requested to carry out collecting campaigns or to study and catalogue biodiversity. In many cases they are only required to act as mere technicians in support of showy/public events, or as simple office-bearers following cultural and educational projects, while research is in most cases implicitly considered a secondary, time-consuming, and negligible activity. Although many curators tenaciously pursue their research line (mostly during their spare time), this is usually only possible in certain disciplines (such as entomology, malacology, and palaeontology), where taxonomy is still largely based on a morphological approach. On the other hand, laboratories with molecular tools and specialised technicians – nowadays quite commonplace in NHMs globally – are absent in Italian museums, thus seriously limiting capacities to carry out advanced biodiversity studies, to compete with foreign institutions, or to gain access to international funding.
An analysis of H-values attained by NHMs’ curators showed that in other European countries (data from museums in Basel, Berlin, Bonn, Geneva, and the museums of the Senckenberg Gesellschaft) researchers affiliated to museums produce a higher number of indexed publications than in Italy (data from museums of Bergamo, Florence, Genoa, Milan, Padua, Pisa, Rome, Trento, Turin, Venice, and Verona), with a significant difference in H-index (9.96 ± 7.37 vs. 5.13 ± 5.11; Mann-Whitney text, p < 0.05). Despite hosting vast unique and invaluable collections, the absence of Italian NHMs from the group of institutions participating in synthesys, the European Union-funded integrated activities grant program, during the last ten years clearly betrays their management inadequacy (
We consider such a situation extremely alarming, especially for ensuring the long-term preservation of natural history collections. The state of collections scattered among several museums (most with little interest in the scientific role of their materials) is inadequate and inappropriate. In particular, we are concerned about the impending demise of important collections: the number of type specimens housed in Italian museums is indeed considerable (at least 150 mammal taxa have their original types housed in Italian NHMs) and their conservation requires serious scientific preservation (Fig.
We believe that the historical lack of a centralised museum has been detrimental for Italy. A large institution with a leading role and focused research could have facilitated scientific activity and political strategies on biodiversity as has happened elsewhere. The instigation of a centralised national museum is likely impracticable today, due to the fact that geopolitical conditions have changed. It is evident that scientific collections should be managed in a more efficient and unified way. Moreover, the Natural History Museum of Florence (one of the oldest in the world, dating to 1775), which owns some of the largest collections in Italy and maintains the old-time traditions of museum research in Italy, could be taken as an example and a possible repository of some national collections (
The authors express their gratitude to the many people and colleagues who provided interesting discussions. Our thanks are due to D. Austin for improving the English of our manuscript and to the editors for their careful work.