Southern Siberia from Altai to Transbaikalia, south-west of Amur region to Mongolia. Abundant in dry steppes and semi-deserts.

(Fig. 1). 16. Russia: Altai Republic, ~ 26 km SE of Ongudai, environs of Kupchegen’, 50°37.3'N, 86°26.2'E, 922 m a.s.l., 05.08.2023, song recordings in 3 ♂.

Tishechkin and Bukhvalova 2009: recordings of calling song from Buryatia and Chita region.

The calling song is an echeme-sequence lasting for ~ 7 s and consisting of ~ 14 echemes (Fig. 2A–B). The echemes usually lasts ~ 0.2–0.25 s and the intervals between them are ~ 0.3–0.4 s. Each echeme consists of ~ 25 pulses repeated at the rate of 120–125 /s. Oscillograph analysis shows that the low-amplitude pulses are sometimes produced in gaps between the main pulses.

In the courtship song, one can distinguish three sound elements (Fig. 2C–J; see Suppl. material 1). The element 1 is similar to the calling echeme, although with clear gaps between pulses. The pulses are produced by synchronous leg movements repeated at the rate of ~ 115–120 /s. Each pulse is generated by only downstroke. The element 1 gradually transforms to element 2: the rate of pulses decreases to ~ 40–50 /s and they become ~ 2 × as long. It is remarkable that they are produced by very weak up-movement of one leg. After three alternations of elements 1 and 2, a male produces a high-amplitude stroke with both legs, despite two legs produce different patterns. One leg is moved up in a stepwise manner, which results to generation of 3–7 low-amplitude pulses (element 3), whereas another leg is moved up straighter without low-amplitude vibrations. Then elements 1 and 2 alternate again 3×, followed by the high-amplitude stroke of the legs, which change the roles. After repeating ~ 6–7 cycles with high-amplitude strokes, the two legs are moved synchronously producing element 3, followed by precopulatory leg movements. The frequency spectra of elements 1 and 2 are similar, occupying a broad range from 15 to 40 kHz with maximum energy between 25 and 35 kHz (Fig. 2H, I). The spectrum of element 3 has three maxima at ~ 15, 30, and 40 kHz (Fig. 2J).

When producing alternation of elements 1 and 2, a male slightly moves his body from side to side, generates low-amplitude movements with antennae keeping them turned to the sides, and conspicuously moves with black and white palps up and down (Fig. 3).

The recordings of calling song in M. palpalis from Altai are similar to the recordings from Buryatia and Chita region (Tishechkin and Bukhvalova 2009). The courtship song of M. palpalis is shown for the first time. The calling song and the courtship element 1 are produced during the leg movements repeated at the rate of ~ 115–120 /s. According to Vedenina and Mugue (2011) and to Sevastianov et al. (2023), this pattern can be considered as relatively complex and advanced pattern: the leg-movement rate could originate from the double rates of the wing beat. The complex structure of the courtship song with several sound elements found in M. palpalis are concordant with the overall complexity of the courtship songs in the genus Myrmeleotettix. (Ragge and Reynolds 1998; Berger and Gottsberger 2010; Vedenina and Mugue 2011; Vedenina et al. 2020).

We suggest the movements with palps to be a remarkable visual display that distinguishes M. palpalis from most gomphocerine species. In one more species of this genus, M. antennatus, the palp movements were also described during courtship (Berger and Gottsberger 2010). M. antennatus, however, moves palps much more rapidly than M. palpalis, and the most conspicuous visual display in M. antennatus comprises a large swing of antennae with well-developed clubs. In contrast to M. palpalis, pulps in M. antennatus are not coloured in black and white. Within the genus Myrmeleotettix, antennae in M. palpalis are least thickened at the ends, which is probably correlated with very weak antennal movements during courtship. Other two species of this genus, M. maculatus (Ragge and Reynolds 1998; Vedenina and Shestakov 2014) and M. pallidus (Vedenina et al. 2020) move conspicuously with antennae but not with palps. Thus, the visual display in various Myrmeleotettix species seems to evolve independently. The palp movements are also known in Aeropus sibiricus and Gomphocerippus rufus (e.g., Elsner 1974; Ragge and Reynolds 1998). However, these species that are distantly related to the species of Myrmeleotettix, demonstrate very different patterns of the palp movements. It is evident that the pulp movements in Myrmeleotettix, A. sibiricus, and G. rufus evolved convergently.

Altai Mountains, Tuva, NW Mongolia. Usually associated with alpine meadows.

(Fig. 1). Russia: 17. Altai Republic, Ulagan district, 3.5 km N of Lake Cheybek-Kohl, 50°25.854'N, 87°34.561'E, 1907 m a.s.l., 06.08.2023, song recordings in 3 ♂; 18. Altai Republic, Ulagan district, ab. 10 km N of Aktash, near Lake Cheybek-Kohl, 50°24.5'N, 87°35.8'E, 1821 m a.s.l., 14.08.2021, song recordings in 5 ♂, 06.08.2023, song recordings in 3 ♂.

Unknown.

The calling song is an echeme-sequence that may last for tens of seconds, up to a minute (Fig. 4A–C). The echemes usually lasts ~ 0.25 s and the intervals between them are ~ 0.6 s. Each echeme begins quietly, reaching maximum intensity at the second half of its duration. Each echeme is generated by the low-amplitude, antidromic up and down leg movements at the rate of ~ 120 /s. During both up and down movements, the legs produce distinct pulses so, that the pulse rate is 2× as high as the leg-movement rate.

During courtship, the males generate a sequence of echemes almost identical to the calling echeme-sequence. However, sometimes a courting male shortly crepitates by wings (Fig. 4D–G; see Suppl. material 2) or / and starts a noisy flight. After such a flight, the male is trying to copulate. The frequency spectrum of crepitation has a rather narrow maximum around 20 kHz; by contrast, the spectrum of echeme is more usual for Gomphocerinae, ranging from 10 to 40 kHz with numerous maxima between 18 and 30 kHz.

The acoustic behaviour in S. newskii is described for the first time. It is remarkable that this species crepitates in flight and is also able to generate short sequences of wing beats sitting on the ground. Such crepitation on the ground is also known in some other species of the genus Stenobothrus, namely, S. rubicundulus (Elsner and Wasser 1995), S. cotticus (Berger et al. 2010), and S. hyalosuperficies (Tarasova et al. 2021).

The song and mating behaviour of S. newskii is almost identical to those in S. cotticus (Ragge and Reynolds 1998; Berger 2008; Berger et al. 2010). It is surprising considering the large distance between the localities of the two species. Stenobothrus cotticus was originally assumed to be endemic to the southwestern Alps, and it was later found in the Rila mountains in Bulgaria (Berger et al. 2010). The authors suggested that S. cotticus had a wider distribution during colder periods, when its range was expanded to lower altitudes. It is remarkable that S. newskii is similar to S. cotticus not only in song but also in morphology (Zubowsky 1900; Kruseman and Jeekel 1967) and ecological preferences: both species occur in alpine meadows at altitudes higher than 1700 m a.s.l. Taking into account that the leg-movement patterns of both species are relatively complex and may be considered as evolutionary advanced (Vedenina and Mugue 2011; Sevastianov et al. 2023), we suppose that the two species may represent one taxon. However, this conclusion requires more confirmation.

Eastern and southern Kazakhstan, Uzbekistan.

(Fig. 1). 9. Kazakhstan: Almaty region, national park Altyn-Emel’, environs of Basshi, along stream, 44°10.1'N, 78°45.1'E, 05.07.2016, song recordings in 2 ♂, 22.06.2023, song recordings in 3 ♂.

Bukhvalova and Vedenina 1998: recordings of calling song from Kazakhstan.

The calling song is an echeme lasting for 3–4 s (Fig. 5). It begins quietly and reaches maximum intensity ~ 2/3 of its duration (Fig. 5A–B). The two legs are moved synchronously at the rate of 21–25 /s, generating homogenic syllables. During the upstroke, the legs generate a soft sound, whereas during the downstroke, the sound intensity gradually increases (Fig. 5C).

The courtship song starts with producing soft and short syllables, repeated at the rate of ~ 2–3 /s (Fig. 5G); however, sometimes these syllables are repeated very irregularly (Fig. 5D). When producing element 1, the legs are moved with a very small amplitude. In ~ 30 s–1 min a male starts an element 2 that is similar to the calling song. However, the echeme duration is longer, up to ~ 7–8 s. The echeme also begins quietly, reaching maximum intensity in ~ 2–4 s. The amplitude of the leg movements gradually increases but abruptly decreases close to the end; as a result, the syllables of smaller amplitude are generated at the end of each echeme. Then, the long element 1 is again produced, followed by element 2. The frequency spectrum of element 1 shows three maxima in a wide range (Fig. 5I), whereas the spectrum of element 2 is characterised by many peaks between 18 and 35 kHz (Fig. 5J).

The current recordings of calling song are similar to the recordings published by Bukhvalova and Vedenina (1998), despite usage of the different recording equipment. The courtship song of M. kozhevnikovi is shown for the first time. According to Bey-Bienko and Mistshenko (1951), the localities where our material and that collected by Bukhvalova and Vedenina (1998) are situated within the range of subspecies M. kozhevnikovi iliensis Mistsh. In the genus Mesasippus, there are nine species occurring in Kazakhstan, Uzbekistan, western China, and north-western Mongolia. Currently, we have information on bioacoustics in only one species of the genus.

Europe from France to the east of European Russia, reaching as far north as Leningrad region and as far south as the northern Caucasus. This species occurs very locally, either in mountains or in dry pine forests (sandy heathlands and forest clearings).

(Fig. 1). 7. Ukraine: Cherkassy region, ~ 17 km S of Kanev, glades in pine forest, 49°35.58'N, 31°29.51'E, 22.06.2010, song recordings in 3 ♂; 8. Russia: Ul’yanovsk region, Novospassky district, Monastyrsky Sungur, 53°14.483'N, 47°39.839'E, 05.07.2022, song recordings in 2 ♂.

Ragge and Reynolds 1998: recordings of calling song from Germany. Bukhvalova and Vedenina 1998: recordings of calling song from Ukraine, Zakarpat’je.

During courtship, a male generates several echemes each lasting ~ 2–4 s and repeated at ~ 3–4 s intervals (Fig. 6A). Each echeme has either one or two elements. The first element is a whizzing sound produced by the low-amplitude leg movements at the rate of ~ 34 /s. It begins quietly showing a gradual crescendo for approximately the first half of its duration. The two legs are moved with the notable phase shift (Fig. 6F). During the short up movement, each leg generates one soft pulse, whereas during stepwise down movement, each leg produces four pulses of increasing sound intensity. Thus, each syllable contains five pulses repeated at the rate of ~ 170 /s. Sometimes, immediately after the first echeme element, the legs are moved asynchronously with the high amplitude, which produces almost no sound (Fig. 6A, D; see Suppl. material 3). Before the copulation attempts, a male moves the legs synchronously with high amplitude generating several noisy syllables repeated at the rate of ~ 3.5 /s (Fig. 6A, C, E). The frequency spectrum of the main echeme is broad with maximum energy between 13 and 30 kHz (Fig. 6H); the spectrum of precopulatory sound has several maxima between 5 and 20 kHz (Fig. 6I).

Ragge and Reynolds (1998) suggested sometimes two elements in the calling song of C. pullus, the first one being produced by the fast, low-amplitude leg vibrations and the second one by the slower, high-amplitude leg movements. We suggest that the second element mainly serves as a visual display during courtship, especially given the absence of the sound during the high-amplitude leg movements. Ragge and Reynolds (1998) also supposed that the leg movements producing the whizzing noise could be complex and asynchronous. We support their assumption by analysing the leg-movement pattern. The main rhythm of the leg movements (34 /s) could originate from the half rates of the wing beat (Vedenina and Mugue 2011). However, rapid vibratory movements during each downstroke (170 /s) are higher than the double rates of the wing beat. We consider the leg-movement pattern of C. pullus to be rare, if not unique, within Gomphocerinae.

The uniqueness of the leg-movement pattern of C. pullus within Gomphocerinae is in a concordance with its controversial taxonomic status. Despite this species is attributed to the genus Chorthippus, different phylogenetic reconstructions based on various molecular markers (Sevastianov et al. 2023; Schmidt et al. 2024) indicate that C. pullus forms an outgroup not only to the genus Chorthippus, but even to the tribes Stenobothrini and Gomphocerini. At the same time, morphologically this species could be easily attributed to Chorthippus, although being a rather brachypterous species.

Chorthippus macrocerus macrocerus: Transcaucasia, Asia Minor, Iraq, northern Iran. Chorthippus macrocerus purpuratus (Vorontsovski, 1928): from Ukraine to northern and western Kazakhstan, reaching as far south the northern Caucasus.

(Fig. 1). 1. Ukraine: Nikolaev region, Pervomaisk district, Ostapovka, 47°58.2'N, 31°05.8'E, 05.07.2005, song recordings in 1 ♂; Georgia: 2. Algeti national park, 41°40.55'N, 44°21.55'E, 1252 m a.s.l., 27.08.2023, song recordings in 5 ♂; 3. environs of Sighnaghi, 41°35.91'N, 45°51.18'E, 770 m a.s.l., song recordings in 1 ♂; Russia: 4. Samara region, Alekseevka district, Gerasimovka, 52°42.636'N, 51°30.584'E, 12.07.2012, song recordings in 2 ♂; 5. Orenburg region, environs of Buzuluk, 52°40.7'N, 52°17.8'E, 30.06.2020, song recording in 1 ♂; 6. Orenburg region, Saraktash district, Studentzy, 51°51.639'N, 55°51.312'E, 14.07.2012, song recordings in 1 ♂.

Vedenina and Zhantiev 1990; Bukhvalova and Zhantiev 1994; Vedenina and Bukhvalova 2001: recordings of calling song from Moldova, Ukraine, south-eastern part of European Russia and northern Caucasus.

The calling song is an echeme lasting 14–18 s in nominative subspecies, and shorter, ~ 4–10 s, in C. macrocerus purpuratus (Fig. 7). The legs are moved with a small phase shift at the rate of ~ 3.5–4.5 /s in nominative subspecies, and faster, at the rate of ~ 5–7 /s, in another subspecies. At the beginning of the echeme, each upstroke of the legs produces almost no sound, whereas each downstroke generates syllables of distinct pulses (Fig. 7C). Close to the echeme end, the legs produce a louder, but still relatively soft sound during each upstroke. Very often, the legs are moved faster close to the echeme end than at the beginning; as a result, distinct pulses disappear in the last syllables (Fig. 7D). This, however, occur only in C. macrocerus purpuratus. The nominative subspecies usually does not increase the rate of the leg movements close to the echeme end.

The courtship song is similar to the calling song but lasts longer. For example, in nominative subspecies the echeme duration varies in the range of 18–30 s (Fig. 7G). The frequency spectra are also similar in the calling and courtship songs. We, however, found some differences between the spectra of two subspecies. The spectrum of the C. macrocerus purpuratus song has the main maximum around 35 kHz but also a small peak around 10 kHz (Fig. 7I). The spectrum of the song in nominative subspecies has many periodical peaks in the broad range of 5–40 kHz (Fig. 7J).

After finishing the long courtship echeme, a male produces a very conspicuous display with his long antennae (the ratio of antennae length to head and pronotum length averages 1.89±0.07 in C. macrocerus in contrast to 1.64±0.1 in C. apricarius or 1.70±0.17 in C. fallax). First, antennae are moved in longitudinal plane backwards, and the two antennae are moved asymmetrically (Fig. 8A). Then, antennae are moved in horizontal plane, from side to side (Fig. 8B) and finally, antennae are moved in a circular manner (Fig. 8C). Immediately after the antennal movements (see Suppl. material 4), a male is trying to mate. We documented the antennal movements in the only males from Georgia (nominative subspecies). Concerning the males from other localities (C. macrocerus purpuratus), we cannot say whether they show such visual display or not, since we did not pay attention to the antennal movements.

The current recordings of calling song in C. macrocerus purpuratus are similar to the previous recordings. Vedenina and Bukhvalova (2001) showed that in two subspecies, C. macrocerus purpuratus and C. macrocerus ponticus, the echeme duration varies greatly (in the range of ~ 3.5–15 s); however, it varies in different specimens referred to the same subspecies. On the basis of this similarity and similarity in morphology between C. macrocerus purpuratus and C. macrocerus ponticus, the authors doubt whether these subspecies should be distinguished. By contrast, nominative subspecies differs from C. macrocerus purpuratus by some morphological characters (the body and wing lengths are larger in nominative subspecies) and some song parameters (the echeme duration is higher and the syllable rate is less in nominative subspecies).

The leg-movement and song patterns in C. macrocerus are relatively simple and may be considered as plesiomorphic (Vedenina and Mugue 2011; Sevastianov et al. 2023). Moreover, it was suggested that the calling and courtship songs are similar in this species. Therefore, our discover of specific movements with antennae during courtship in C. macrocerus is remarkable. In future, it would be important to study if the males in C. macrocerus purpuratus demonstrate similar movements with antennae as it was found in nominative subspecies. Considering the very long antennae typical for this species, we expect similar visual display in different subspecies.

Southern Siberia from Altai to Transbaikalia, southern part of the Russian Far East, Mongolia, China.

(Fig. 1). Russia: 14. Altai Republic, Chemal district, Elekmonar, 51°27.372'N, 86°02.524'E, 459 m a.s.l., 03.08.2023, song recordings in 2 ♂; 15. Altai Republic, Ongudai district, ab. 3.5 km S of Inya, 50°24.840'N, 86°38.120'E, 769 m a.s.l., 05.08.2023, song recordings in 6 ♂.

Benediktov 2005: recordings of calling song from Tuva; Tishechkin and Bukhvalova 2009: recordings of calling and courtship songs from Buryatia, Chita region and Maritime Province.

The calling song is an echeme of variable duration ranging from ~ 6 to 20 s. Sometimes a male can produce several echemes with intervals of ~ 4–6 s (Fig. 9A). The legs being moved with a small phase shift at the rate of ~ 4–4.5 /s generate syllables where one can distinguish soft and loud parts (Fig. 9B, C). During each upstroke, almost no (in the beginning of echeme) or relatively soft (in the end of echeme) sound is produced; during downstroke, a loud sound is generated. The oscillograph analysis shows that the legs slightly vibrate during downstroke, which result to producing distinct pulses, especially at the beginning of echeme.

The rivalry song is a sequence of short echemes (Fig. 9D), which number can greatly vary. Each echeme consists of two or three syllables. The legs are moved almost synchronously at the rate of ~ 7.5 /s. The first syllable usually contains distinct pulses that are similar to those in the calling song. In the noisy second and third syllables the pulses are not distinguishable (Fig. 9E).

A courted male generates an echeme or several echemes that are similar to the calling song. The legs are moved at the slightly higher rate than during calling (of ~ 5–6 /s). After this, a male can produce noisy syllables by the high-amplitude synchronous leg movements at the rate of ~ 2–3 /s (Fig. 9F, G). Before copulation attempt, males move with the long antennae (the ratio of antennae length to head and pronotum length averages 2.07±0.14). The movement pattern is simpler than in C. macrocerus: antennae in C. hammarstroemi are only moved in a circular manner as in Fig. 8C. Sometimes, the courting male produces the song similar to rivalry song, and the short echemes containing two types of syllables (as in Fig. 9E) can alternate with the noisy courtship element (as in Fig. 9G).

The power spectra of the calling and rivalry songs are similar and have maximum energy between 20 and 35 kHz (Fig. 9H, I). The power spectrum of specific courtship element has two broad peaks, between 5 and 15 kHz and between 20 and 30 kHz (Fig. 9J).

The current recordings from Altai are similar to the previous recordings from the more eastern localities of this species (Benediktov 2005; Tishechkin and Bukhvalova 2009). We, however, found slight differences in courtship songs between specimens from Altai and those from Buryatia, Chita region, and Maritime Province (Tishechkin and Bukhvalova 2009). At the same time, considering variable courtship behaviour and different technique of sound recordings, we suggest no principal differences between the recordings.

By contrast, the antennal movements in C. hammarstroemi during courtship are documented for the first time. This species is similar to C. macrocerus by the remarkably long antennae. The two species are also similar in plesiomorphic pattern of the leg movements during calling behaviour. Tishechkin and Vedenina (2016) suggested that these two allopatric species are characterised by similar song type and acoustic strategy. The usage of long antennae in courtship behaviour in both species even confirms such similarity. On the other hand, both morphological (Bey-Bienko and Mistshenko 1951) and molecular studies (Sevastianov et al. 2023) suggest that C. macrocerus and C. hammarstroemi are not closely related species. We suggest one of the reasons of their allopatric distribution to be a similarity of acoustic niches, which prevents them from effectively finding members of their own species at the same biotope (Bukhvalova and Zhantiev 1994; Tishechkin and Vedenina 2016).

Southern Siberia, the southern part of Russian Far East, the north-eastern China, Korea.

(Fig. 1). Russia: 10. Altai Republic, ab. 6 km of Chemal, environs of Elekmonar, 51°29.0'N, 85°59.9'E, 417 m a.s.l., 06.08.2017, song recordings in 2 ♂, 12.08.2021, song recordings in 4 ♂; 11. Altai Republic, Ongudai district, ab. 7 km N of Malyi Yaloman, 50°33.602'N, 86°33.783'E, 740 m a.s.l., 09.08.2023, song recordings in 1 ♂; 12. Altai Republic, Ongudai district, near Shirlak waterfall, 50°20.6'N, 87°13.3'E, 1064 m a.s.l., 14.08.2021, song recordings in 3 ♂; 13. Altai Republic, Ongudai district, ab. 15 km NWW of Chibit, 50°21.637'N, 87°19.480'E, 1056 m a.s.l., 09.08.2023, song recordings in 1 ♂.

Bukhvalova and Vedenina 1998; Vedenina and Bukhvalova 2001; Benediktov 2005: recordings of calling song from Altai and Maritime Province.

The calling song is a sequence of several echemes lasting ~ 1.5–3 s and separated by intervals of ~ 2–6 s (Fig. 10A). In each echeme, one can distinguish two parts (see Suppl. material 5). In the first part, the legs are moved synchronously at the rate of 7.5–10 /s, which result to generation of simple regular syllables (element 1, Fig. 10B). The sound is generated mainly during downstroke. In the second part, the legs are moved asynchronously, which results to generation of the louder element 2 containing pulses of varying amplitude. The duration of element 2 is usually 2× as short as duration of element 1.

The courtship song starts similarly to the first part of the calling song: the legs are moved synchronously and generate the soft sound during upstroke and the louder sound during downstroke (Fig. 10C, D). In ~ 2–10 s, however, the temporal structure of syllables is gradually changing. The intervals between syllables become fuzzy and the very syllables become louder. Sometimes, the intervals between syllables become completely indistinguishable (Fig. 10H). This main echeme (element 1 of courtship) usually lasts for ~ 15–30 s, but can continue for more than 1 min. Oscillographic analysis of the leg movements shows that amplitude of the two neighbouring strokes slightly differs, however, this is more expressed in one leg (Fig. 10D, E). After the prolonged element 1, a much shorter (lasting ~ 6–9 s) element 2 follows. The legs are moved synchronously but at the lower position, and the leg movements have the more complex pattern than during element 1, which implies alternation of several low-amplitude strokes with one higher-amplitude stroke. The legs generate syllables repeated at the rate of 8–10 /s (Fig. 10E); each syllable contains one high-amplitude pulse and several soft pulses. In ~ 1 s after the end of element 2, the shortest (lasting ~ 1–2 s) element 3 follows (Fig. 10C, F, G; see Suppl. material 6). The leg movements have the more irregular pattern than during element 2, moreover, the two legs are moved alternately. As a result, one can distinguish sound pulses repeated at the rate of ~ 15–20 /s.

The frequency spectra of both types of the song are remarkable because they occupy the band lower than 25 kHz. The spectrum of the calling song has two peaks around 7 and 18 kHz (Fig. 10I), the spectrum of the courtship element 1 has several peaks in the range from 5 to 25 kHz (Fig. 10J), and the spectrum of the courtship element 2 has two peaks at approximately 5 and 15 kHz (Fig. 10K).

The elements 1 and 2 of the calling song and the elements 1–3 of the courtship song are produced at the different leg positions. During generation of the calling element 1 and the courtship elements 2 and 3, the legs are moved at the low position. Presumably the distal stridulatory pegs of the hind femora are used in generation of these elements. We compared the lengths of the stridulatory files between M. aethalinus and C. macrocerus, the species with the simpler song. The file length appeared to be almost 2× longer in M. aethalinus than that in C. macrocerus. In M. aethalinus, the most distal stridulatory pegs are at about the level of the first tibial spine if tibia is pressed to femur (Fig. 11A). In C. macrocerus, the most distal stridulatory pegs are at the level between 5^th and 6^th tibial spines (Fig. 11B).

Our recordings of both types of the song are generally similar to those previously described by different authors (Vedenina and Bukhvalova 2001; Benediktov 2005). However, previous authors argued about the functions of the two song types in M. aethalinus. According to Vedenina and Bukhvalova (2001), different song types are produced by a male sitting alone, therefore they can be considered as the calling song variants. Benediktov (2005) suggested the first song type to be the calling song and the second song type to be the courtship song. Our current data are more concordant with the data of Benediktov (2005). However, our observations of behaviour in this species show that the males sitting without females in laboratory for several days start to produce both song types almost equally often. In nature, by contrast, solitary males usually sing the first song type, whereas the males sitting near by the females typically produce the second song type. Therefore, we also assign the different functions to the different song types.

Analysis of the elaborate leg movements during stridulation in M. aethalinus allowed us to suggest unusually long stridulatory file. Up to now, only several species of C. biguttulus group with the long stridulatory files were known (Benediktov 1999; Willemse et al. 2009; Tarasova et al. 2021). One of these species, C. biguttulus ehedickei, also uses its distal part of the stridulatory file in generation of a relatively soft ‘aftersong’. M. aethalinus, however, produces a relatively loud sound with the distal part of the stridulatory file.